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Larry Wise Core Archery Academy, November 9-10, 2013
How to Teach “The Transfer” Form Step
By Tom Dorigatti
Photos courtesy of, Pat Dorigatti, Pete Dorigatti, Tom Dorigatti, Dean Pridgen, Steve Ruis, Roger S. Wheaton, and Larry Wise. Videos by Robbie Stouffer.
Presleys Outdoors was
host to the Larry
Wise Core
Archery Academy
course on November 9-10,
2013 . Larry Wise was on-site
to teach the course and team-taught with local archer, author and Level 3 USA
Archery/NFAA Certified coach, Tom Dorigatti.
15 archers attended this
two-day Seminar which included review of the key form steps for the proper
execution of back tension, form and draw length analysis and photographing the
before and after. In addition there was a short course on the history of the
release aid and compound bow followed by the newly unveiled “Recurved Bow with
Release Aid Lab” specifically designed teach a specific step of the all important
shot sequence, the “TRANSFER” of the holding weight of the bow from the release
hand, wrist, and forearm to the proper muscle groups that allow for the
“execution of the shot with proper back tension.”
History of the Release aid.
In
1970, the competitive archery world was “rocked” with a major change. The day of the release aid was upon us. After a membership vote, a bare majority
decided to allow the use of a release aid in archery competitions.
I
won’t go into the details with words, since pictures are worth a thousand
words. Let it suffice to say that all of
the release aids pictured are real. Many
were home-made and others made by various archery gurus of the day as well as
taken up by manufacturers over the years.
The first releases were nothing but a “ledge” upon which you hooked the
bow string, pulled with all first finger, hoped you got to full draw and
manipulated with proper back tension to rotate the release off the bowstring.
Then Freddie Troncoso, among
others also made rope releases whereby you wrapped one rope around the bow
string and a shorter rope was secured on a brass button on a leather pad and
held with thumb pressure. You came to
full draw with the release aid, got into your full draw position, continued
your “back tension” and gradually let up pressure on the thumb until the rope
was released and the shot broke.
Of course, this release was a Concho style and very hard to master without either “creeping” or “shooting on the go-by.” There were several shooters that did very well with this style of release, and Eva Troncoso and Jack Lancaster were among the best masters of the rope release.
Of course, this release was a Concho style and very hard to master without either “creeping” or “shooting on the go-by.” There were several shooters that did very well with this style of release, and Eva Troncoso and Jack Lancaster were among the best masters of the rope release.
There was even a variant
of a Concho release combined with a “hook” called a “Super Chicken” release aid
that many people shot well with. The
cost back then was only $14.98!
It is hard to determine,
but Rick Fawley introduced a trip gate release right around the same time (or
maybe after, who knows?) that Mel Stanislawski started making the original
Stanislawski release aids. Both the
Fawley and the Stanislawski had very similar trip gates and the rope around the
string concept.
I believe that Fawley’s release however had a bearing in between the release body and the insert for the first finger that made it easier to get the release body to rotate. You will note that the Fawley release looks alarmingly similar to a release aid just put out on the market a few months ago by Scott Archery. It is also of importance to note that today, some 40 years later, a growing number of archers are back to the “hinge-style” BT release aids, and about the only difference is the pivot point which allows today’s hinge releases to be shot off of a d-loop instead of a rope around the string.
I believe that Fawley’s release however had a bearing in between the release body and the insert for the first finger that made it easier to get the release body to rotate. You will note that the Fawley release looks alarmingly similar to a release aid just put out on the market a few months ago by Scott Archery. It is also of importance to note that today, some 40 years later, a growing number of archers are back to the “hinge-style” BT release aids, and about the only difference is the pivot point which allows today’s hinge releases to be shot off of a d-loop instead of a rope around the string.
Once sears and triggers
were legalized, then advancements came quickly. Some were rather crude with
regard to trigger travel and adjustment, but they worked just fine. There were some weird contraptions out there,
but they worked well.
In the early 1990’s, Dee
Wilde met Jerry Carter (or so I’m told this is what happened?), and Dee wanted a thumb trigger release that was stiffer and
that incorporated a double sear. Jerry
Carter came up with this release aid.
The photo is a release that belongs to Peter Dorigatti and it is Purple
in color and appropriately named the “Wilde Thing.” So, that was the beginning of Carter Releases
and Carter Enterprises that has launched so many new and different release aids
and become a market leader in hand held release aids as well as wrist strap
releases.
Bows were changing
too. The first compound bows had wooden
handles, and some were impregnated with resins in order to make the risers
stronger. They had 4-wheels on them; two
were “eccentrics” and the other two were pulley assists, similar to a block and
tackle. The original Allen compounds
were first, quickly followed by Olympus, Jennings ,
and once the patents were licensed, quickly followed on by Carroll, PSE, and
Astro, then Bear Archery.
Hoyt didn’t come along with a compound bow until around 1975 or 1976, and by then, 2-wheeler compounds and even some six-wheeled compounds were coming onto the scene, along with other radical designs. The photo below are of theJennings
compound that Dean Pridgen used to win the NFAA National Outdoor Field
Championship in Ludlow MA in 1972.
The letoff on this compound bow may have been 30%!
Hoyt didn’t come along with a compound bow until around 1975 or 1976, and by then, 2-wheeler compounds and even some six-wheeled compounds were coming onto the scene, along with other radical designs. The photo below are of the
Only a few years later, Jennings built a
two-wheeled I model compound for Rosie Pridgen.
Notice some similarities to some riser designs being used today? Those back then were not machined risers,
however.
In 1973, I was living in Sacramento , California
while going through USAF flight training to become a navigator. I was a member of the El Dorado Hills Bowmen
and met a great group of people to shoot with.
Among them was a gentleman by the name of Jim Sweeney. In the early summer, Jim had built himself a
compound bow patterned after the SABO recurved bow, only with Jennings compound bow limbs and brackets on
it.
I was still shooting my fingers at the time, but thought it would be great to build two more of these “Sweeney Bows”, only make them 3-4” longer so finger shooting with them would be easier. We set to work on a pair of longer “Sweeney Bows”, one for me, and one for my father. Pictured below are me shooting the “Sweeney Compound” me and Jim built I had also built the rope spike release pictured earlier to shoot specifically with the “Sweeney Compound” bow. Several years later, Jim Sweeney built another Sweeney bow that was on a two-wheeled platform but using the same SABO patterned riser.
I was still shooting my fingers at the time, but thought it would be great to build two more of these “Sweeney Bows”, only make them 3-4” longer so finger shooting with them would be easier. We set to work on a pair of longer “Sweeney Bows”, one for me, and one for my father. Pictured below are me shooting the “Sweeney Compound” me and Jim built I had also built the rope spike release pictured earlier to shoot specifically with the “Sweeney Compound” bow. Several years later, Jim Sweeney built another Sweeney bow that was on a two-wheeled platform but using the same SABO patterned riser.
Let’s
take a look at the trending over the course of the past 40 years with regard to
the compound bow; specifically the let-off component:-In
the 1970’s, the letoff was 25-35%.
- Then it was bumped to 40-50% in the 1980’s.
- In the 1990’s it went to 55-65% let off.
- In the 2000’s let-off went to 70-80%. There are even bows out there now that offer 90% or more letoff!
With
lower mass weights and lower holding weights, it is very easy to hold at full
draw with the use of hands and arms instead of having a load on the appropriate
Rhomboids and Levator Scapulae muscles.
Thus,
you see lots of shooters with little to no “recoil” off the release and/or fake
motions after the arrow is in the target.
So, the shooters are loading up with mass weight, not on the bow, but
out away from the bow to “stabilize things”, which isn’t all bad, but having
that mass weight extended out from the body some 40” or more creates a balance
problem of another nature; one that must be overcome, and one that makes
“Transfer” even more difficult.
Videos
The links below show slow
motion photography for 4 of the shooters executing their first shots off of a
recurved bow with a release aid. Realize
that the actual time elapsed was around 5-7 seconds, but the slow motion
photography slows it down immensely. If
you watch closely near the end, you can click on the start and stop button and
watch this frame by frame to see the reactions of the shooters…down to their
hair bouncing around and the totally surprised look on their faces as they feel
a real explosion off the bow and a real surprise follow-through! Enjoy the videos.
Bill M
Ryan N.
Sarah A.
Tara C.